screenplays

I’ve Got Me Some Wicked Shadar

Throw Shade:
To talk trash about a friend or acquaintance, to publicly denounce or disrespect someone.
When throwing shade it’s immediately obvious to on-lookers that the thrower, and not the throwee, is the bitchy, uncool one.
“How does Barbara keep any friends? Last night at the party all she did was throw shade at people.”

~Urban Dictionary

Fucking Barbara.

We All know a “Barbara”, right? And maybe…on occasion… we have to admit to being a “Barbara”—but that’s beside the point.

This is about shade—and my Shadar, as I like to call it.

Just like the French cheese in my fridge, the dead rat in my attic, and a dog fart, I can smell shade coming from a mile away!

I can’t explain it. It’s one of the superpowers I’ve developed in my close to sixty years on the planet. I keep it in the same holster as my Gaydar, right next to my BS Detector.

So, in the parking lot on my way to do something I absolutely SUCK at, I could already feel my shadar going off. No worries, my guy Larry will be there, I told myself. Larry is as old as an eight-track tape deck and that comes in handy because that is the exact decade where my understanding regarding anything tech resides.

Larry is patient and kind and not judgy at all. Larry understands me.

But apparently, Larry had the audacity to retire.

Anyway, There I was—at Kinkos—to make copies of my screenplay. Now, that sounds easy enough, right? How hard could it be?

But for me, using the giant, state-of-the-art copiers they have in the “Self Serve” section is so far above my field of expertise that I may as well be launching a rocket ship to Mars. Seriously.

I get so flustered that I’m almost tempted to have the fellas at the printing desk print them for me—except for the fact that I want to make my mortgage payment this month and I can’t afford to do both.

So, Self Service it will have to be.

I got myself all set up. Great! I reassured me, That only took forty minutes.

After I swiped my credit card I pressed the big green START button on the printer. It shuddered and moaned and asked for more.

Having already entered more information than ANYONE, ANYWHERE, has EVER needed from me, I acquiesced because somehow, this seemed pertinent.

FILL PAPER—STUPID, it demanded. (I may have added the stupid part.)

Oh, shit! Right. Paper! I looked around clueless.

That’s when I saw them. Or rather I felt their shade. Three young Latinas clad in blue Kinkos smocks, all gathered up in a huddle, clucking, and snickering and looking my way.

There it was. Shade. Thrown.

I looked one of them straight in the eye. The pretty one with the bright magenta lipstick (which I’m sure was in direct violation of the Kinkos dress code. Just sayin’). She stopped her laugh in mid Ha and feigned concern.

“Whatareyoutryingtodooverthere?” she asked in a language I’d never heard before.

“I need to print some copies…uh…of a screenplay.”

The three of them rolled their eyes so dramatically that I think I felt the earth shift on its axis. Adhering to an unspoken bitches covenant, the other two turned away.

Magenta Lips had spoken to me. I was her problem now.

But not without throwing a bit more of the worst kind of shade. Latina shade.

“It says here I need paper, ha, imagine that! Paper for copies!” I chuckled in this self-effacing way I have that annoys most people.

“Yeah”, she said taking a look at my script. “Youneedthreeholedpaper”, she spit out in her special dialect.
I had no idea what she’d said so I just stood there, frozen.

“You need the paper with three holes on the side”, she yelled, exasperated. “You have to buy it. Go! Get paper!”

I took off running like a contestant on The Amazing Race and then stopped mid-stride. “Where is it?” I asked, already out of breath.

“There!” she threw her head to the left where another thirty-five thousand square feet of Kinkos yawned in the distance.

“Could you be more specific?” I asked, suppressing the urge to run back over and bite her in the face.

Her two other “sales associates” were back. They had settled in over by the stationary section to watch the 1:30 showing of:
A Dufas Makes Copies.

Shade was everywhere. It had turned total solar eclipse dark all around my copier.

I tried to shrug it off, loading the appropriate paper while my lovely Kinkos associate worked the complicated keypad like she was bringing the warp-drive online aboard the Starship Enterprise.

“There. I set it up for you”, she huffed as she walked back toward the coven.

I tried my best. I really did.
But eventually, I made so many mistakes that my Visa card’s fraud department alerted me on my phone to the fact that a schizophrenic serial copier had gotten a hold of my card—and subsequently—they froze my account. (See screen-shot above)

Oh, now Visa shade? Whatever.

When I finally finished, I prayed to God Almighty that those bitches had nothing to do with the in-store FedEx department since I had to ship a copy. But as I traversed the store my Shadar picked up the cool chill even before I saw her.

Magenta lips snickered in the corner, throwing her shade, while Debbie, a lovely, middle-aged but clearly confused and jittery victim of Stockholm’s Syndrome, patiently guided my dumb ass through the shipping process.

I smiled sweetly at Magenta Bitch the entire time, mouthing the words thank you in her direction.

At the end, I blew her a kiss. Not Debbie, although she probably needed one, Magenta, the shade thrower and her coven of bitches.

It was like throwing water on a wicked witch. They all melted. Not really. I wish. The three of them just freaked out and scattered.

I’m not sure there’s a lesson here. I just have one parting thought. Magenta Lips may have had some fierce lipstick—but my false eyelashes kicked hers to the curb.

Shade returned….and…scene.

Carry on,
xox

WTF Friday ~ A Tambourine, A Screenplay, And Prince

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Just when I thought my screenplay was finished, my Muse, who is like a shark in the fact that she never sleeps and hasn’t met anything she won’t eat, suggested that we open our film with the song “Let’s Go Crazy” by that artist who was known as Prince—then the symbol—then Prince again..

Just so you know, her suggestions are more like directives. Softer than outright orders, but hey, who are we kidding, they’re really not open for negotiation.

But still, it’s me…I argued.

“What? What are you saying?” I quizzed the silly ghost who was harping on the fact that it would be a kick-ass opener. A real sit-up-straight-in-your-seat moment.

Well, no argument there, but…

“Just imagine it” she’d say, and I would—vividly—with goosebumps and all—but not without some reservations.

Now don’t get me wrong, I LOVE that song and I’m bat-shit crazy about Prince.
In the 1980’s he was more than the soundtrack of my life. I adored everything about him. I even thought the acting was GOOD in the movie and I subsequently wore the grooves smooth on my Purple Rain album.

But my Muse? SHE is someone from another generation, someone more likely to suggest Nina Simone or Nat King Cole.
Certainly not Prince. Never Prince.
So I questioned her judgment on the relevance of that song at that particular moment in that movie of that subject matter—which is life after death.

During one particularly strenuous argument that I was making about Prince being someone who NEVER licensed his songs out to anyone—for anything, she actually reassured me.
“It’s not your job to worry about that stuff”, she insisted. “None of that will be an issue when the time comes. Besides, why are you arguing? You love that song!”

One day at the gym after that song had interrupted the podcast I was attempting to listen to five times in a row, I heard her voice.

“Hey, you wanna know why this song is so perfect? Did you listen to all the words?”

“Um, yeah.”

“Really? Do you know EVERY word?”

“Maybe… Do you?”

“Sing it for me”, she demanded, testing me.

As I sang the words out loud that morning at the gym with the music blasting in my ears, I suddenly realized, ‘Shit, I’d better shut up because people are staring AND OMG, the bitch is right! This song is all about death and life…and life after death… and… OMG! Who knew?!’

So of course argument over and into the screenplay it went.


FADE IN: [SONG] LET’S GO CRAZY – PRINCE, THE REVOLUTION

EXTERIOR. DAY. CEMETERY
The screen is black. Slowly we see the top of a coffin as the camera pans up to show an overview of mourners, graveside, all in black.

[SONG] “Dearly beloved,

We are gathered here today
To get through this thing called life
Electric word life
It means forever and that’s a mighty long time
But I’m here to tell you
There’s something else —
The after world.

A world of never ending happiness
You can always see the sun, day or night
So when you call up that shrink in Beverly Hills
You know the one, Dr. Everything’ll Be Alright
Instead of asking him how much of your time is left
Ask him how much of your mind, baby
‘Cause in this life
Things are much harder than in the after world

In this life-
You’re on your own.”

EXT. DAY — WIDE SWEEPING AERIAL SHOT – MULHOLLAND DRIVE, LOS ANGELES, CALIFORNIA
The camera follows Mulholland Drive while the music plays and the credits roll until we see a Red Fiat Spider convertible sports car with the top down racing along this winding mountain road.


Ironically enough, I spent a majority of March marinating in all things Prince (there’s another Prince song that closes the film), something I haven’t done since my twenties; changing things around, re-writing and wondering whether or not he would approve of the use of his songs inside our material.

During this time I remembered The Tambourine.

A good friend of mine had absconded with one of Prince’s tambourines after working the sound on an impromptu concert two years ago. As the story goes, (and I will believe this until the day I die), it was the actual one that Prince played himself that night.

After I peed my pants, did my spazzy happy dance, and squealed the high-pitched scream of a twelve-year-old girl—I hung it in my “office” as one of my most prized possessions.

Holding it in my hands in March, I consulted with the tambourine (you know, like you do), and the answer came to me loud and clear (and was accompanied by some tambourine rifts just for good measure).

I felt that if he read it—he’d get it.

No need for that after today. The artist known as Prince has gone to the great concert in the sky and knowing what I know about the after world (that it’s a freakin’ free-for-all, y’all), I can rest assured of the fact that my bossy little friend has a back-stage pass—no wait, she’s with the band —and she has cornered the poor guy and is telling him our story. Which means that in due time she will hammer out any and all of the details for our licensing agreement. Mark my words.

Because that’s what they do in the afterlife, they keep doing all the things they loved.

But I can’t help wondering…did she get a head’s up for his departure from this mortal coil in advance? In other words, did she know he was coming?  Was she at the arrivals gate?

For someone of a completely different generation, she seemed REALLY sure of herself about all things Prince.

WTF?

Anyhow, I suppose that’s for her to know–and me to find out…eventually. And when I do, you guys will be the next ones to know.

Carry on,
xox

This is the tambourine. I know. So cool!

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Hi, I’m Janet

Mentor. Pirate. Dropper of F-bombs.

This is where I write about my version of life. My stories. Told in my own words.

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