movies

When the state of my world seems turvy topsy and I find myself feeling blue, I like to go to the movies in the middle of the day, BY MYSELF. There, in the dark, from my seat in the very middle of the back row—I find solace. I can weep openly at the sad parts, the not so sad parts, and the previews while shamelessly appreciating my shriveled movie house hot dog drowning in mustard as if were an overpriced piece of wagyu beef.

I feel free to be the only one to laugh out loud at innuendo or irony like I’m privy to some inside joke the screenwriter wrote just for the two of us to enjoy.

Most of the time I go to the movies with a long face and come out with a broad, Cheshire grin. Today was no exception.

I had a skip in my step as I left the theater, and it wasn’t because the movie was a musical.
The thing that cheered me up more than words can express is the fact that the actress in this particular film is exactly my age and looks a good ten years older. I’m not being catty, it was impossible not to notice. It was all I could do not to squeal with delight at every close-up. I even overheard a couple of women in their sixties commenting about it after the show. What they said was, Wow, she looks like us!

It was so surprising I almost walked into a pole Google-ing her age. We are both fifty-eight.

Now, living in LA I have seen this actress around town and I have figured out why she has aged, let’s say, not as elegantly as say, Dame Helen Mirren.
I usually see her over my giant plate of french fries and whatever is accompanying them. Sometimes a salad, sometimes mussels, most times ranch dip. There she is, alone in a booth, in her black on black on gray with big dark glasses, quietly sipping her clear broth. Every time I see her. Me the fries—her, the clear broth.

I also spot her occasionally on my killer hike. She usually goes early, early, when only the trainers with their chubby clients are boot-camping it up the hill. She blasts past me with her big sheep-dog looking dog barely out of breath. She is remarkably fit and trim. Skinny really, and therein lies the rub!

Gaunt does not age well. Everybody knows THAT! A little extra weight plumps up, well, everything, most especially the face. She may have my long-lost flat stomach and slim hips but holy cow, it looked as if she had loosely draped layers of flesh-colored fabric around her neck. I can say that since I feel bad about my own flesh-colored scarf most of the time.

I have to say, I was shocked.

The next thing I have to say is good for her! She IS one of us!
You have to admire the fact that she has had absolutely NO work done on her face, eyes, neck or hands. Maybe she is a giant chicken shit like me, but it’s more likely that she just doesn’t give a fuck what we think. The fact that her contemporaries are shot so full of Botox that every emotion registers as surprise makes it refreshing. Her courageous choice to allow her self-realization, self-possession, or self-worth override her vanity makes her believable and authentic and I have to commend her.

I also have to thank her for lifting my spirits more than any plate of fries ever could have.

There are just some days when you want to feel like you’re doing something better than anyone else. Today she helped me, for an hour and thirty minutes, feel like without the benefit of anything other than good genetics—I was killing it at being fifty-eight.

I’ll take it.

Carry on,
xox

Just when I thought my screenplay was finished, my Muse, who is like a shark in the fact that she never sleeps and hasn’t met anything she won’t eat, suggested that we open our film with the song “Let’s Go Crazy” by that artist who was known as Prince—then the symbol—then Prince again..

Just so you know, her suggestions are more like directives. Softer than outright orders, but hey, who are we kidding, they’re really not open for negotiation.

But still, it’s me…I argued.

“What? What are you saying?” I quizzed the silly ghost who was harping on the fact that it would be a kick-ass opener. A real sit-up-straight-in-your-seat moment.

Well, no argument there, but…

“Just imagine it” she’d say, and I would—vividly—with goosebumps and all—but not without some reservations.

Now don’t get me wrong, I LOVE that song and I’m bat-shit crazy about Prince.
In the 1980’s he was more than the soundtrack of my life. I adored everything about him. I even thought the acting was GOOD in the movie and I subsequently wore the grooves smooth on my Purple Rain album.

But my Muse? SHE is someone from another generation, someone more likely to suggest Nina Simone or Nat King Cole.
Certainly not Prince. Never Prince.
So I questioned her judgment on the relevance of that song at that particular moment in that movie of that subject matter—which is life after death.

During one particularly strenuous argument that I was making about Prince being someone who NEVER licensed his songs out to anyone—for anything, she actually reassured me.
“It’s not your job to worry about that stuff”, she insisted. “None of that will be an issue when the time comes. Besides, why are you arguing? You love that song!”

One day at the gym after that song had interrupted the podcast I was attempting to listen to five times in a row, I heard her voice.

“Hey, you wanna know why this song is so perfect? Did you listen to all the words?”

“Um, yeah.”

“Really? Do you know EVERY word?”

“Maybe… Do you?”

“Sing it for me”, she demanded, testing me.

As I sang the words out loud that morning at the gym with the music blasting in my ears, I suddenly realized, ‘Shit, I’d better shut up because people are staring AND OMG, the bitch is right! This song is all about death and life…and life after death… and… OMG! Who knew?!’

So of course argument over and into the screenplay it went.

FADE IN: [SONG] LET’S GO CRAZY – PRINCE, THE REVOLUTION

EXTERIOR. DAY. CEMETERY
The screen is black. Slowly we see the top of a coffin as the camera pans up to show an overview of mourners, graveside, all in black.

[SONG] “Dearly beloved,

We are gathered here today
To get through this thing called life
Electric word life
It means forever and that’s a mighty long time
But I’m here to tell you
There’s something else —
The after world.

A world of never ending happiness
You can always see the sun, day or night
So when you call up that shrink in Beverly Hills
You know the one, Dr. Everything’ll Be Alright
Instead of asking him how much of your time is left
Ask him how much of your mind, baby
‘Cause in this life
Things are much harder than in the after world

In this life-
You’re on your own.”

EXT. DAY — WIDE SWEEPING AERIAL SHOT – MULHOLLAND DRIVE, LOS ANGELES, CALIFORNIA
The camera follows Mulholland Drive while the music plays and the credits roll until we see a Red Fiat Spider convertible sports car with the top down racing along this winding mountain road.

Ironically enough, I spent a majority of March marinating in all things Prince (there’s another Prince song that closes the film), something I haven’t done since my twenties; changing things around, re-writing and wondering whether or not he would approve of the use of his songs inside our material.

During this time I remembered The Tambourine.

A good friend of mine had absconded with one of Prince’s tambourines after working the sound on an impromptu concert two years ago. As the story goes, (and I will believe this until the day I die), it was the actual one that Prince played himself that night.

After I peed my pants, did my spazzy happy dance, and squealed the high-pitched scream of a twelve-year-old girl—I hung it in my “office” as one of my most prized possessions.

Holding it in my hands in March, I consulted with the tambourine (you know, like you do), and the answer came to me loud and clear (and was accompanied by some tambourine rifts just for good measure).

I felt that if he read it—he’d get it.

No need for that after today. The artist known as Prince has gone to the great concert in the sky and knowing what I know about the after world (that it’s a freakin’ free-for-all, y’all), I can rest assured of the fact that my bossy little friend has a back-stage pass—no wait, she’s with the band —and she has cornered the poor guy and is telling him our story. Which means that in due time she will hammer out any and all of the details for our licensing agreement. Mark my words.

Because that’s what they do in the afterlife, they keep doing all the things they loved.

But I can’t help wondering…did she get a head’s up for his departure from this mortal coil in advance? In other words, did she know he was coming?  Was she at the arrivals gate?

For someone of a completely different generation, she seemed REALLY sure of herself about all things Prince.

WTF?

Anyhow, I suppose that’s for her to know–and me to find out…eventually. And when I do, you guys will be the next ones to know.

Carry on,
xox

This is the tambourine. I know. So cool!

Ray: I’m thirty-six years old, I love my family, I love baseball, and I’m about to become a farmer. And until I heard the Voice, I’d never done a crazy thing in my whole life.

Voice: If you build it, he will come.
~from the movie Field of Dreams

I’m baaaackkkkk! And I missed YOU!

I went away to devote a block of time to the screenplay I’ve been enlisted to write.
The one about death and life thereafter.

The comedy —the buddy picture—my own person Field of Dreams complete with a cryptic voice and characters who are invited to participate in this magical fairy tale I’ve been fortunate enough to be gifted with writing.

I haven’t always felt that way.

At first, it was so (insert baseball pun here), out of left field, that my inner skeptic was pooping her pants. I have a nose finely tuned for bullshit and this entire endeavor reeked of it.

But after a while, after a ton of questioning and “prove it to me’s” I plowed under my corn and built my field just as I’d been directed. I started writing a screenplay (which I had no interest in doing and absolutely NO experience at), that was dictated to me by my pal, the dead screenwriter.

And you know what happened? The more I got out of the way—the better it got. So much so that now, when I read it to people, ( even people I’ve just met  like the women at the retreat last week), THEY SEE THE PLAYERS ON THE FIELD. In other words, they believe in the magic and that never ceases to amaze me.

I remember loving Field of Dreams when it came out. Who doesn’t want to believe that there’s more to life than the mundane and ordinary? What Ray did seemed crazy but his courage (disguised as wavering conviction), wins everyone over in the end—even me.

I know. It’s a movie. But crazy as it sounds it’s also become a template for my life.

All ideas start as crazy fantasies. They do. Every. Single. One. of  Them.

They come out of nowhere, bite you on the ass, and invite you to come along for the ride.
What do YOU do when that happens? Do you up the volume on the radio (get caught up in life), to drown out the voices (ideas), or do you plow under the corn (take some risks), and build the field for the players to come and play (give your ideas life)?

I used to ignore the Voice. For years, I turned my back to the players on the field. But what kind of life is that?

When magic presents itself—I say, make the leap.
Not everyone will see the players on the field but that’s okay, those that do far outweigh the ones who cannot.

Plus, Magic can’t be contained. It bleeds into all other aspects of your life and that does NOT suck. I promise.

I’ve gotta go now, it’s the second inning and I’m up at bat.

Play ball!
xox

John Kinsella: Is this heaven?

~Dialogue from the movie FIELD OF DREAMS

On Sunday and Monday, the weather seemed to mirror the energy of chaos that’s rampant in the world right now.

Isn’t that interesting how the weather mirrors energy? I remember 9/11 was a bright and sunny Indian Summer day in New York City with beautiful clear, blue skies, and the next day the skies turned grey and gloomy as they opened up and cried all of our collective tears.

I find that fascinating.

Anyhow, on Sunday, as the cold winds whipped our yards into a frenzy, tipping over pots and tearing branches off of the mature trees we have surrounding the house, and chucking them onto patio furniture, our cars in the driveway and turning the path to the front door into a sort of hero’s journey of leafy obstacles, I decided to do what I do best: hide in bed with the dog, a book, and some movies on TV.

Reading and watching TV at the same time is a habit I acquired as a teenager in high school.
It serves no purpose other than to keep every quadrant of my brain activated and occupied—so I’m unable to dwell on any of life’s other distractions, like personal hygiene, eating, or worrying about whether a terrorist sleeper cell exists in my neighborhood.

When I finally did decide to assuage the loud rumblings of my stomach by enjoying some cheese on a Triscuit and cup of Earl Grey—hot—I turned my full attention to the movie since it was nearly impossible to hold my book and a cheesy Triscuit at the same time.

It turns out the film was fairly recent and was only about ten minutes into the plot, which meant that now that I had given my body some brain food (as I like to call complex carbohydrates), I would be able to catch up quickly with what was happening on screen.

The movie was Invasion, a current-ish, snazzy remake of Invasion of the Body Snatchers with a younger Daniel Craig (yum) and an actress whose face is Botoxed so heavily that NOTHING moves. I found this incredibly puzzling since the only way those infected with the alien virus (that has turned almost the entire population of earth into emotionless robots) can identify those who have yet to be “turned” is their show of emotion.
When an uninfected person would run or scream or cry, they would stick out like a sore thumb and get apprehended and infected into compliance.

Yet here’s the heroine of our story looking like a gifted ventriloquist, her mouth stuck in an insipid grin while out pours the sound of full monologues of terror and grief. “I can’t find my son!” she wails in agony while her face maintains the serene mask of a woman getting a pedicure.
Interesting casting choice.

But that’s not what I wanted to focus on here.

As I sipped my tea and snarfed my carbs, despite the sketchy casting choices, I started to marvel at the synchronicities the movie was bringing up as it drew me in.

I’d spent the morning getting caught up in the atrocities in Paris, vacillating between feelings of disgust and pity toward humanity.
What a fucking mess we’ve made, I lamented. Look at all the pain and the sorrow caused by a few people’s feelings of deep despair and hatred.

Human emotions run amok. What in heaven’s name is the answer?

In the movie, an alien species had devised an answer: Remove all those troublesome emotions from humanity and then have the wiped out, robotic humans clean up all of their messes, leaving Earth a sort of over sanitized, completely passionless and uninteresting version of itself. Like Disneyland or Switzerland on steroids.

In the background of certain scenes was TV coverage of wars ending, peace accords being signed and walls coming down.
Neat and tidy with a handshake and minimum of fanfare.
Sounds great right? Especially after the events in the past couple of days.
But along with the absence of hostility, there was a complete lack of joy, or passion, no relief or cause for celebration.

Worst of all—there was a complete absence of love. If you showed compassion or love—Busted! They’d catch you and infect you into a robotic shell of your former self.

Supposedly it was all done for our own good. A wiser species trying to save us from ourselves, but, um no thanks guys. We will deal with the emotional lows if you’ll leave us the highs of love, joy and caring—thank you very much.

And therein lies my cheesy, frozen-faced, synched-up Sunday afternoon movie revelation.

“Humanity is capable of such horrible nightmares and such beautiful dreams” to paraphrase a line from the movie Contact and as empty and fed up as I can feel after horrible things happen— if we try and force change—or wish the world were different—we unleash a whole slew of unforeseen complications and lose sight of our greatest gifts.
Freedom, Compassion, and Diversity.

What do you guys think?
Carry on,
xox

Me and Ruby watching TV and being Sunday bed-slugs.